Carrying On

I keep a file of good quotes I come across, and this is one I return to now and again, attributed to John F Kennedy when he was president:

“The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state … {in} democratic society —  the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may.”

When I find myself struggling with issues that all artists face I find that just those four sentences can give me a reason to carry on. Sometimes small reasons are all we need.

I am still not sure if I could articulate what it means for an artist to stay true to themselves. There is more to true to yourself  than just making sure you are doing what you want to do, regardless of falling chips of course, but it is a good place to start. Much about art is all about choice, after all. I can’t point to the first time in my life when I made the choice not to look back from choosing to be an artist, but the choice is made over and over, in decisions big and small.

Speaking of impossible dreams, here are some new Don Quixote sculptures:

Adventuring Knight (left side)

Adventuring Knight               Mixed Media (wood, metal, polymer, paper, paint)               24H” x 9”W x 17”D

This is a reworking of a sculpture I debuted here last spring, I believe. The basic structure is still there, but with a few changes. In particular I felt the front legs were splayed out and stiff and stopped the momentum of the horse and rider.   Compare the new one, left, to the old one…

the old Adventuring Knight

the old Adventuring Knight

Adventuring Knight (detail4)

Bending both legs at the knee, towards the middle, gave it more graceful movement but made it more unstable. It’s now attached to the base but could stand up on it’s own.

Adventuring Knight, 2014 Mixed Media (wood, metal, polymer, paper, paint) 24H” x 9”W x 17”D

Adventuring Knight, 2014
Mixed Media (wood, metal, polymer, paper, paint)
24H” x 9”W x 17”D

Adventuring Knight (detail)

Adventuring Knight (detail)

Adventuring Knight (Rosinante)

Adventuring Knight (detail: Rosinante)

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The sculpture below, “Hopes and Possessions” I updated recently with a new base made specifically to fit horse and rider.

Hopes and Possessions,  2014 Wood, wire, string, rope, plaster, acrylic paint 27"H x 20"L x 15"W

Hopes and Possessions, 2014
Wood, wire, string, rope, plaster, acrylic paint
27″H x 20″L x 15″W

Hopes and Possessions

Hopes and Possessions

Hopes & Posessions (detail base)

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And then there is this little fellow:   “Virtuous Hopes.” The title was taken from a quote from the book … “virtuous hopes are better than wicked possessions”.

He is the smallest of all the sculpture, and he is cute. He is my new favorite.

Virtuous Hopes

Virtuous Hopes,     2014      19″H x 12″ x 17″D       Wood, paper, string, paint, paint brush

Virtuous Hopes 1

Virtuous Hopes, 2014 19″H x 12″ x 17″D Wood, paper, string, paint, paint brush

Virtuous Hopes (left side)

Virtuous Hopes (profile)Virtuous Hopes (torso)

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And the paintings just keep coming:

As True As A Myth  2014 oil on canvas, 40"x 30"

As True As A Myth 2014
oil on canvas, 40″x 30″

To Have Lived A Madman, and To Die Sane 2014 oil on canvas 40"x 30"

To Have Lived A Madman, and To Die Sane
2014 oil on canvas 40″x 30″

“It was his great good fortune to have lived a madman, and to die sane.”

Blue Lance & Shield

“Diligence Is the Mother of Good Fortune” Watercolor on paper 7″x 5″ 2014

Red Polka Pajama Bottoms

“The Talented Pursue The Illusions” watercolor on paper 7″x 5″ 2014

… “Misfortunes always pursue the talented… they pursue the illusions”

What's Done Is Done  2014 watercolor on paper 7"x 5"

What’s Done Is Done 2014
watercolor on paper 7″x 5″

 “What is done is done and so patience, and let it be a lesson for the future.”

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Summer exhibit in Maine

For anyone who finds themselves on the coast of central Maine this summer, please stop by Sam Shaw Jewelry:

http://www.shawjewelry.com/exhibitions/2014/exhibitions_8_14.html

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3 new cubist portraits

I have not given up Don Quixote as a subject I am expanding my cast of characters. A Queen and a Princess keep popping up, and another gentleman who I don’t think is Don but I can’t quite identify who is is exactly.

Each of the paintings is 40″x30″ and acrylic paint on canvas.

La Dame Cubiste

La Dame Cubiste                                                                                                    acrylic on canvas       40″x30″      2014

 

 

Seventh Daughter of a Seventh Son,   2014

Seventh Daughter of a Seventh Son, 2014

Cubist Portrait #3,   2014 acrylic on canvas,  40x30"

Cubist Portrait #3, 2014
acrylic on canvas, 40″x30″

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Studio art classes

I am offering summer classes in drawing, acrylic and oil painting, and critique. Designed to fit the needs of all levels, from beginners to intermediate to advanced; classes will meet in my Waltham studio. *

Lessons use narrative realism as the starting point and expand those lessons to include all kinds of abstraction. Emphasis will be on personal expression, and the use of the techniques and skills every artist needs to know: composition, techniques, color, textures, pattern, quality of marks, and so on. For advanced students that means seeking subtler, more challenging refinements of the same basic principles.

Critique classes will examine content and how well the use of materials is helping and hindering artists develop their ideas.

 

“Go Children Slow” oil on canvas, 60″x50″, 2004

Students may bring independent projects they want to pursue. I will have assignments available meant to ignite your imagination and stimulate the skills required to get the most out of your painting experience.

 

Schedule: 6 classes: July 11 – August 20, 2014

– Tuesday, Wednesday, Thursday, Friday mornings 10 AM- 1 PM

 

 

 

Price for individual classes:                                     $500 or $100 per class        

Price for classes of two students or more:              $300 or $55 Per Class

    Classes will be held at Michael’s studio:

Studio #11, 2nd floor (AWA), Bldg. #4, 144 Moody Street, Waltham, MA 02453

*For a map to the studio: copy & paste or click this link: http://www.mapquest.com/maps?address=144+moody+Street&city=Waltham&state=MA&zipcode=02453&country=US

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Sculptures, redux

Hello again. I have posted clean new photos of the Don Quixote sculpture from summer to winter 2013.  I fixed the wrinkled backdrop and the lighting,

So here, now:  A quick tour through the crew of Don Quixotes I have grown around me here at the studio over the past 9 months…

 

To begin our tour: “Hopes and Possessions.” This is actually the most recent piece of the series so far. Because of the combination of materials, this guy has the feeling of being an artifact. As if it were a discarded doll, or well used Shaman’s talisman. He still gives me the creeps a little, but he’s very determined and full of character, exhibiting the original Quotidian courage, wouldn’t you say? It also is a logical extension of the work that preceded it.

Hopes and Possessions wood, wire, string, plaster, rope, polymer gel medium, copper 25"x17"x12"   2013

Hopes and Possessions wood, wire, string, plaster, rope, polymer gel medium, copper
25″x17″x12″ 2013

He is dynamic in his charge, yes…

wood, wire,string, copper,plastic,plaster, paint

but there is something sad about him. He is too skinny, his feet are so small, and his horse, Rosinante, looks clumsy. Yet that pride and conviction remains unabated.

Hopes and Possessions-Hopes and Possessions
wood, wire, string, plaster, rope, polymer gel medium, copper
25″x17″x12″ 2013

 

 

Next: “An Inventive Victory“. This one took a long time to make. It was one of the first to stand on it’s own and went through many material changes. It had a rice paper & polymer surface at one time but I ran out of the rice paper just before I finished and couldn’t find the right paper again. I ended up putting a skim coat of plaster over the paper before painting it several times.

An Inventive Victory (detail)

I love this one enough that I’m looking forward to using the basic structure of this as a starting point and to develop the cubist possibilities further.

An Inventive Victory wood, paper, plaster, paint 31"x 20"x 16"

An Inventive Victory          wood, paper, plaster, paint
31″x 20″x 16″

 

 

 

 

An Ingenious Gentleman.” This one I’m keeping for myself. 

What more can I say? The combination of the 2D-ink on the 3D-paper knocks me out.

An Ingenious Gentleman paper, wood, polmer, paintbrush 22"x 16"x 13"

An Ingenious Gentleman                    paper, wood, polymer, paintbrush
22″x 16″x 13″

 

Adventuring Knight (detail)Adventuring Knight (detail)     

“A Man Who Seeks the Impossible.” Again with the 2D paper – torn from a Utrtecht catalog, colored rice paper and shreds of drawings – along with the 3D of the wood and wire and string. The classic clash of dimensions.

A Man Who Seeks the Impossible wood, wire, string, paper, paintbrush 22"x 12"x 15"

A Man Who Seeks the Impossible                      wood, wire, string, paper, paintbrush
22″x 12″x 15″

A Man Who Seeks the Impossible

A Man Who Seeks the Impossible  

 

Adventuring Knight (detail)

Adventuring Knight (detail)   

In Delay.Danger detail#2And our featured image: “In Delay There Lies Danger”

Until next time. Thanks for looking.

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MFA Tour

I want to announce that I am giving a tour of the Boston MFA exhibit Boston Loves Impressionism. on Wednesday, April 16. The tour is preceded by a brief lecture on Wednesday, April 9, 7-9pm, discussing some historical context, the techniques of Impression and what to look for in the exhibition.

The New Art Center in Newtonville, MA is presenting the lecture and tour as part of their wonderful “Art Encounters – Lectures and Guided Toursseries, featuring faculty members from the New Art Center. The lecture will be Wednesday, April 9, 7-9pm at the New Art Center and the tour will be Wednesday, April 16, 7-9 at the MFA. Click here to register.

The New Art Center is located at 61 Washington Park, Newtonville, MA 02460  |  617.964.3424 · 617.630.0081 (fax)  |  E-mail: claudia@newartcenter.org

I hope to see you there. Thank you,

Michael

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Sculptures two!

Hopes and Possessions wood, wire, string, plaster, rope, polymer gel medium, copper 25"x17"x12"   2013

Hopes and Possessions
wood, wire, string, plaster, rope, polymer gel medium, copper
25″x17″x12″ 2013

An Ingenious Gentleman 22"x15"x13"   2013 Paper, polymer emulsion, wood, metal

An Ingenious Gentleman
22″x15″x13″ 2013
Paper, polymer emulsion, wood, metal

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Sculptures too?!

Here a few preview shots of the first sculptures of Don Quixote, in a Cubist way.

An Inventive Victory  30" x 20" x 12"   2013 plaster, paper, wood, polymer emulsion, acrylic paint

An Inventive Victory
30″ x 20″ x 12″ 2013
plaster, paper, wood, polymer emulsion, acrylic paint

An Inventive Victory (detail)

An Inventive Victory (detail)

An Inventive Victory (detail)  2013

An Inventive Victory (detail) 2013 

In Delay There Lies Danger    2013 paper, polymer emulsion, metal, wood, acrylic paint 19"x15"x8"

In Delay There Lies Danger 2013
paper, polymer emulsion, metal, wood, acrylic paint
19″x15″x8″

In Delay There Lies Danger (detail)

In Delay There Lies Danger (detail)

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Some thoughts on 2 paintings

It’s good to be back to the blog. Perhaps this signals more blogging to ocme, which would be great but I can’t promise. Herewith, then:

A few quick thoughts and analysis of a couple of the DQ paintings I did about a year ago: DQ B&W #1 and Rosinante Running. Both are paintings I have come to like much more than I did when I first painted them.

 or "Rocinante Running"

“Rocinante Running”
oil on panel 24″ x 18″, 2012

Don Quixote in Black & White #1 2012, 18"x 14"

Don Quixote in Black & White #1
2012, 18″x 14″

Rosinante Running,” 2012, was painted predominantly with palette knives, with a very little bit of brushwork. Knife painting is like carving with color; blues and blacks seem to have been chiseled out, while the reds, whites and yellows act is if they were laid on top and pinched and pulled into place to create a high relief  surface. Particularly where the point of the knife or pencil cuts grooves into the paint, the variegated surface catches and reflects light so as to make it shimmer when the light is at the perfect angle.

The application of paint, the high color contrasts, the hard angularity of the shapes (as opposed to soft, curving shapes), all contribute to the sense of agitated  movement.

“DQ B&W #1” developed as a bit of a dare from Shelley Reed to paint some Don Quixotes in black & white. (If you look at Shelley’s terrific work you can see why she might say that.)

Untitled-1

In this one it’s the face and upper body. I really love how the face is framed with that crazy almost-upside-down L-shaped angle, with the eye casually hanging on like a barnacle without the eyelid  there to secure it.

The face is actually constructed of a series of triangles, from the chin whiskers to the nose, to the forehead.  This little tower supports the see-saw of shapes that is his hat. Which itself is topped by a sideways triangle.

The shadow that is cast across the nose sets up the dark outline of the mustache within a compelling negative space that points us down the neck to a roll of a chest (not quite a barrel-chest), upheld by the triangular wedge below it. The hand holding the lance my be my favorite part. I know, it’s upside down, simplified and distorted, yet it rests so gently upon the hilt it seems as pious as a Byzantine portrait, in opposition to hardness of his left hand, balled into a fist, determined and ready for action.

The different hands help tell the story of a guy who in today’s parlance could certainly be considered bipolar: alternately brave, empathetic and wise, yet also delusion, quick to anger and prone to violence.

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Finally: “The 91 Paintings” Exhibit

“Don Quixote, The 91 Paintings in 91 Days Exhibit”:   March 23 – April 20*.

Opening Reception Party: Saturday, March 23, 2013 4 – 7 pmDQ Exhib announcement

 

 

 

 

 

 

 

 

* location map is below

The time has come for The Exhibit to commemorate the success of “91 Paintings in 91 Days” and to thank you who supported the project.  I hope you can all attend to see the work, meet the artist (for those who haven’t yet), see the studio where it all happens, and enjoy some wine and light refreshments. Bring a friend.

 

Dulcinea-Dancing

 

 

There are several backers who have yet to claim their rewards, so this show gives you all in that category a chance to make their pick.

Don Quixote, The “91 Paintings in 91 Days” Exhibit will be up March 23 – April 20.

Opening Reception Party: Saturday, March 23, 2013 4 – 7 pm

For those who can’t make it to the opening reception but would like to see the show, please note the gallery hours: Monday – Friday 10 am – 7 pm, by appointment.  Call or email to schedule a convenient time for you to come visit, generally allowing 24 hours notice.  Saturdays & Sundays from 11am – 5 pm I will be here to host visitors, though a 30 minutes notice is requested.

The Common Space Gallery is located within Artists West Association, on the second floor of Building #4, 144 Moody Street, Waltham, MA. *https://maps.google.com/maps?hl=en&tab=ml

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